This is part three of a multi-part series in which I discuss the sights, sounds, and smells I experienced while attending the 2025 edition of Louder Than Life (“America’s Loudest Rock & Metal Festival”) in beautiful Louisville, Kentucky. Part one is here, and part two is here. If you wanna read all kinds of stuff about previous editions of Louder Than Life, you can find it all here.
Day Three was tight. Still too big, still too hot, still too many people, but overall, I gotta say it was a good day. Quannic was the first band I wanted to see (at 12:30), and I was worried about making it on time. In addition to the festival, there was also a University of Louisville football game at noon, plus Churchill Downs was hosting their first Saturday horse beatings of the season starting at 12:45, and all those locations are extremely close together. I was talkin about tryna leave at like 10:00 AM, just knowing that traffic was gonna be a nightmare.
As usual, Sheila was smarter than me, and she reminded me of something I already knew well from living in a college town: if you wait until the football game starts, you can get pretty much anywhere you want with very little hassle. She suggest we leave around noon, and I reluctantly agreed, and we ended up having the fastest, smoothest, simplest shuttle ride of the entire fest. We were in Top Shelf getting snacks and drinks before Quannic even started playing, and I got to watch most of their set, and hear all of it, and they were very cool. I could easily imagine them playing shows with Hum, Shiner, Jets to Brazil, and the like, circa 1997.
Since the crowd was much thinner than the day before, we decided to make our way over to the vicinity of the Decibel Stage. Disembodied Tyrant was in full swing when we arrived, and they sounded so fucking good. We managed to score a little bit of tree shade and took in the scene. So many people in every direction. Aside from the lil food oasis we fought our way to and from the night before, this seemed to be where all the food in the entire festival (aside from VIP and Top Shelf) was located, and that seemed (and seems) like a bad idea.
We met up with Mitch and Amanda in VIP and hung there while Superheaven played, and they sounded great. I didn’t know them until after they were announced, but I dig their sound, and I was hoping I’d get to see at least a little bit of their set, and I’m glad I did. I also hope to see them again someday.
We had to bail before Superheaven finished, on account of SpiritWorld was playing at 2:10 on the Decibel Stage, and there was no way we were gonna miss that. They were Sheila’s #1 Must-See Band of the Festival, and they were in my Top Five. I’d listened to them a little bit prior to the announcement of the lineup, and I liked what I’d heard, but I hadn’t done a deep dive yet. Sheila was lamenting the general lack of bands “for her”, and I told her I thought she’d probably like SpiritWorld. Two months later, she’s blasting SpiritWorld in the shower and shouting along with every word.
The only negative thing about their set was that lead guitarist Randy Moore was absent, which resulted in a severe lack of tasty dive bomb solos.
By the end, we were drenched in sweat, and my neck felt like it was gonna snap in half. We started the long journey back to Top Shelf for snacks and drinks, and caught the end of Fleshwater‘s mid-afternoon set. I didn’t expect I’d get to hear any of it, so it was a pleasant surprise. If they hadn’t been up against SpirtWorld, I definitely would’ve watched them.
Failure took Main Stage 1 at two fiddy. I’ve only listened to one Failure album, 1996’s Fantastic Planet, and it’s great, but for some reason, I never bothered to dig into the rest of their discography. Still, I like their sound, and I wanted to check em out since I had the chance. They sounded great, but I found it hard to focus on them in those particular surroundings, especially in my newfound post-SpritWorld existence. Following SpiritWorld would’ve been a Herculean task for any band I can currently think of. The result is that I was kinda zoned out for almost the entirety of Failure’s set, and I remember basically nothing of it. I imagine seeing them in a dark space would be a mystifying experience.
I was interested in checking out Devildriver on the Decibel Stage, but the crowd was starting to pick up in the bottleneck zone, and I didn’t wanna stray too far from the Main Stage area, so we went back over to VIP to hang with Mitch and Amanda and watch a bit of Black Veil Brides on Main Stage 2. I’m a little embarrassed about how much I enjoyed their set. It was very “Hot Topic Metal”, but it was better than a lot of other stuff I experienced over the weekend.
I spent the last half of their set standing in the midst of General Admission, Main Stage 1 looking for my pals Stevo and Carmel, who were in for the day, and were gonna watch my #1 Must-See Band of the Festival Acid Bath with me. I found them as BVB was ending, and we moved up closer to the stage in preparation. Long-time reader (sic) may recall that I previously stated in this blog that if Acid Bath were added to the Louder Than Life lineup, I would shit everyone’s pants. In the interest of full disclosure, I feel it is my duty to inform you that I did not shit anyone’s pants, not even my own.1 I did sweat the hell out of my sleeveless shirt, though.
Acid Bath was every bit as amazing as I hoped they’d be, and the setlist, while short, was stacked with a lot of my favorites. I love the extra-heavy Acid Bath songs with the extra-harsh vocals as much as the next guy, but I’m a biiiiiiig fan of Dax Riggs’ singing voice, so it was extra cool to experience “Graveflower”, “Bleed Me an Ocean”, and “Venus Blue” live. “Paegan Love Song” and “Tranquilized” and “Dr. Seuss is Dead” and “Dead Girl” were pretty amazing too, even if I would’ve rather heard the original version of that last one.2
When “Dr. Seuss is Dead” ended, Stevo said “jeez, go dry your shirt off, will ya?”, and he was right to call me out – I was a regular ol Sweaty Betty. We parted ways for the time being, and I reconvened with Sheila, Mitch, and Amanda while Motionless in White played on Main Stage 2, and I don’t remember anything about them. I had some interest in seeing Kittie over on the Reverb Stage, but I wasn’t interested enough to actually make that trip again yet, plus I wanted to be near the main stages for Stone Temple Pilots at 5:50.
I sadly never got to see STP with Scott Weiland (RIP), but I did get to hear them with then-new singer Jeff Gutt at LTL 2019. I was pleasantly surprised with how well Gutt pulled off Weiland’s vocals, and I was stoked to have a chance to give the band my full attention while they played. They ripped through a nine-song set of classic bangers from the first three albums. Personal highlights were “Big Empty”, “Plush”, “Interstate Love Song”, and “Trippin’ on a Hole in a Paper Heart”, but the whole set was pretty flawless.
I was also interested in seeing Machine Head at 6:55 on the Decibel Stage, but it was hot and I’m old, plus dinnertime snacks went out in the Top Shelf tent at 6:00, and I was in need of nourishment, post-haste. I Prevail on Main Stage 2 was the soundtrack, and I don’t recall anything specific about them, so I figure they must not’ve sucked.
A Perfect Circle was on Main Stage 1 at 7:35, and under most circumstances, I would’ve hung around for that, but on this day, Cypress Hill was playing on the Reverb Stage at 7:40, and that definitely took precedence. Even having never seen APC live before, I can safely say I made the right decision. Cypress Hill played for one hour with a full band, and it was amazing.
Sheila and I met up with Stevo and Carmel at Caduceus Wine Garden and caught up a bit while Trivium played on the Decibel Stage. I only know a couple of Trivium songs, but they sounded really good, and I suspect I would’ve enjoyed them if I’d paid them more attention. After Trivium, we parted ways with our friends while Bad Omens played on Main Stage 2. They wanted to find a suitable spot in GA for Day Three headliner Deftones, and we wanted to sit in some conditioned air, so we headed back to Top Shelf.

This was my second time seeing Deftones, and they sounded much better this time, plus I’ve become more familiar with their discography, so I enjoyed it quite a bit more than the first time, even though I enjoyed the hell outta them that time, too. As during the Slayer set from two nights before, I made a Show Friend while watching from the Elevated Viewing Area. We sang along together and banged our heads mightily. Sheila had to bail about halfway through, but I managed to stick it out until nearly the end, making my way toward the shuttle as the penultimate song of the night, “Engine No. 9” started. I woulda liked to’ve heard closer “7 Words”, as that was the first Deftones song I ever heard, but as I’ve mentioned before, it was a hot day, and I’m an old man, and I had still more rockin to do on Day Four, which will be covered here soon.
Thanks for reading. It’d be cool if you shared it with your friends and loved ones who appreciate aggressive music and fart jokes.
- My guts were a bit rumbly by the time I got back to the hotel, but that was because of the delicious sesame cauliflower that was out for both lunchtime and dinnertime snacks in the Top Shelf tent, and how I couldn’t stop eating it. I actually dreamed about eating it that night, but no pants-shittery occurred that day from me. ↩︎
- I fully understand why they don’t bust out a seven-minute acoustic song in the middle of their set, but it really is the superior version. ↩︎
Discover more from Clockwise Circle Pit
Subscribe to get the latest posts sent to your email.
Pingback: Woke Up to the Sound of Pouring Rain: A Thing About Louder Than Life 2025 (Day Four) | Clockwise Circle Pit